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Pieter Jansz. Saenredam (June 9 1597 - buried May 31 1665) was a painter of the Dutch Golden Age, known for his distinctive paintings of whitewashed church interiors.
Saenredam was born in Assendelft, the son of the Northern Mannerist printmaker and draughtsman Jan Pietersz Saenredam (1565-1607), a follower of Goltzius whose sensuous naked goddesses are in great contrast with the work of his son. In 1612 he moved to Haarlem, where he became a pupil of Frans de Grebber and lived for the rest of his life. In 1614 he became a member of the Haarlem Guild of St. Luke. He died in Haarlem.
A contemporary of the painter-architects Jacob van Campen, Salomon de Bray, and Pieter Post, he is noted for his surprisingly modern paintings of church interiors, the great bulk of his production. Saenredam achieved this modern look by using very even light, subtlely modulated, and by removing detailed depiction of textures, in meticulously measured and drawn sketches. He would make these sketches in pencil, pen, and chalk, then and add in watercolor to help give the sketch texture and color. The sketches are detailed, conveying the interior atmosphere through the clever use of light and graduated shadows. Saenredam often deliberately omitted people and church furniture from work, thus focusing more attention on buildings and their architectural forms. Only after having made precise measurements, and precise sketches and drawings of the churches, he would take them to his studio where he started to create his paintings, often after a delay of many years. His emphasis on even light and geometry is brought out by comparing his works with those of the rather younger Emanuel de Witte, who included people, contrasts of light and such clutter of church furniture as remained in Calvinist churches, all usually ignored by Saenredam. Unlike de Witte's, Saenredam's views are usually roughly aligned with a main axis of the church.
Carlo Bonaviawas an Italian painter known for idyllic landscape paintings, engravings and drawings. He was active from 1740 until his death in 1788. He is thought to be from Rome, but worked in Naples from about 1751 to 1788. He was trained in the Neapolitan landscape tradition of Salvator Rosa (1615-1673) and Leonardo Coccorante (1680-1750), but was much more strongly influenced by the work of Claude Joseph Vernet, who visited Naples in 1737 and 1746.
Charles-Joseph Natoire (3 March 1700 - 23 August 1777) was a French painter in the Rococo manner, a pupil of François Lemoyne and director of the French Academy in Rome, 1751-1775. Considered during his lifetime the equal of François Boucher, he played a prominent role in the artistic life of France.
He is remembered above all for the series of the History of Psyche for Germain Boffrand's oval salon de la Princesse in the Hôtel de Soubise, Paris, and for the tapestry cartoons for the series of the History of Don Quixote, woven at the Beauvais tapestry manufacture, most of which are at the Château de Compiegne.